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Ya'll do good work
Robert Bresson 88 fi lm e di ti ng Paul Hirsch tries his hand at Speed Splicing back in 82 under the watchful eye of Matthew Robbins Demolition Rewinding Starting with a 1,000-foot roll of picture and a 1,000-foot roll of track, you had to thread up the film onto take-up reels, put the start marks in a synchronizer, wind down as fast as possible to sync marks at the end, stop on that given frame and lock the synchronizer all against the clock
Kamei and T
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